| ART
100A Introduction to World Art 3 cr. DI
An introduction to the dominant styles in painting, sculpture, architecture,
the graphic arts and photography from prehistory to the present. Class
lectures and discussions are supported by slides of historically significant
works. Course requirements include visits to Boston area museums at students’
expense. Not open to Art Majors. Three lecture hours per week. Not open
to students who have received credit for ART 100.
ART 101 Color and
Design 3 cr.
A development of the individual’s capacity to think in visual terms.
Opportunity is provided to analyze the creative process through workshop
experiments, which integrate the elements of art and the principles of
design with color. Required of Art Majors and Minors. Six scheduled studio
hours plus three open studio hours per week.
ART 102 Basic Drawing 3 cr.
A foundation course in drawing techniques using a variety of mediums with
emphasis on the realization that drawing is fundamental to every form
of art. A wide range of studio problems is offered to develop basic drawing
skills. Required of Art Majors and Minors. Six scheduled studio hours
plus three open studio hours per week.
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| ART
200 Glassblowing 3 cr.
A course designed to introduce students to the basic techniques used to
form glass blown vessels. Offhand and mold blown forms will be demonstrated.
Students will be required to create self-developed projects in a teamwork
environment. Historical and contemporary glassworking concepts will be
discussed throughout the course. 3- Dimensional Studio elective. Four
scheduled studio hours plus five open studio hours per week.
ART 201 Glass Sculpture (Fall) 3 cr.
An investigation into the uses of glass in a sculptural context. Techniques
covered will include solid formed works done on a pipe, molten glass casting,
kiln formed processes, and other mixed media applications. Proper use
of the annealing ovens and other cold working equipment will be stressed.
Students will be required to develop a journal, which will include creative
concepts and detailed technical information. 3-Dimensional Studio elective.
Four scheduled studio hours plus five open studio hours per week.
ART 202 Figure Drawing 3 cr.
A studio course that provides students with the opportunity to draw directly
from live models. Required of Art Majors. Six scheduled studio hours plus
three open studio hours per week. Prerequisite: ART 102.
ART 203 Form and Design 3 cr.
An introduction to concepts of form and space. A three dimensional investigation
of design theory and practice is pursued through experiments with wood,
plaster, metal and plastics. Required of Art Majors. Six scheduled studio
hours plus three open studio hours per week.
ART 232 Prehistoric, Ancient and Medieval Art (Fall) 3 cr. DI
A comprehensive study of the major styles in painting, sculpture and architecture
from Prehistory to the end of the Middle Ages. The relationship between
the work of art and the social and cultural forces that have contributed
to its style and meaning are examined. Class lectures and discussions
are supported by slides. A visit to a Boston museum is required. Museum
visit at students’ expense. Required of Art Majors. Three lecture
hours per week.
ART 233 Renaissance, Baroque and Rococo Art (Spring) 3 cr. DI
A comprehensive study of the major styles in painting, sculpture and architecture
from the Proto-Renaissance to the end of the 18th Century. The relationship
between the work of art and the social and cultural forces that have contributed
to its style and meaning are examined. Class lectures and discussions
are supported by slides. A visit to a Boston museum is required. Museum
visit at students’ expense. Required of Art Majors. Three lecture
hours per week.
ART 234 A History of Landscape Images in Art 3 cr.
An examination of the development of landscape imagery in art from the
earliest known appearances in Neolithic art to landscape images in contemporary
art. This course will examine how people have interpreted faith, life
and ideas into landscape imagery. Paintings and etched scapes, photographic,
architectural and environmental projects will be analyzed. Class lectures
and discussions are supported by slides. A visit to a museum or gallery
is required. Museum visit at students’ expense. Offered only through
the Division of Graduate and Continuing Education. Three lecture hours
per week.
ART 236 The Arts in America (Spring) 3 cr. DI
A study of painting, sculpture, architecture, and the decorative arts
from the colonial period to the present. Emphasis on such major themes
and styles as portraiture, genre painting, American impressionism, and
modernism, including Native American and African American traditions and
Asian influences. Art works will be studied in their cultural, social
and political contexts. Course requirements include visits to Museum and
historic houses in Salem and Boston. Museum visits at students’
expense. Three lecture hours per week.
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| ART
300 Introduction to Teaching Art 3 cr.
An introduction to the study of education through the visual arts. Course
content includes an exploration of art history, the art of children, cultural
and ethnic influences, design and expression and art production. Motivating
children and teaching of the visual arts is included, as is the development
of a process for assessment. Required of Art Majors in the Art Education
Concentrations. Three lecture hours per week.
ART 301 Intermediate Glassblowing 3 cr.
A course which continues the development of the skills learned in glassblowing.
Further development of techniques will be crucial to being able to develop
more complex forms. Exercises emphasizing detail and craftsmanship will
be assigned. Teams will be formed at the beginning of the course utilizing
assistants to execute more advanced techniques, including working with
came and multiple blown segments and bit work. 3-Dimensional Studio elective.
Four scheduled studio hours plus five open studio hours per week. Prerequisite:
Art 201.
ART 302 Stained Glass 3 cr.
An introduction to a variety of techniques developed over the centuries
for the fabrication of stained glass panels. Traditional lead came and
copper foil construction techniques will be primary forming processes.
Mixed media and kiln forming techniques will also be explored as auxiliary
approaches to realizing the students’ ideas. 3-Dimensional Studio
elective. Four scheduled studio hours plus five open studio hours per
week.
ART 303 Introduction to Electronic Media 3cr.
A course that explores the computer technologies used by graphic designers
for page design, layout and typography, and introduces illustration, photo
manipulation, and paint and multimedia software. The emphasis is on page
layout software as a tool for page assembly, multimedia and World Wide
Web applications. Traditional production techniques will be addressed.
Required of Art Majors and Graphic and Web Design Minors. Three lecture
hours per week plus laboratory work outside of class.
ART 304 Crafts (Spring) 3 cr.
An investigation of the fundamental concepts of crafts in historical and
contemporary times as they relate to design and materials. The student
will work with wood, metal, fabrics and clay. Required of Art Majors in
the Art Education Concentrations. Four scheduled studio hours plus five
open studio hours per week.
ART 305 Representational Painting (Fall, Alternate years) 3 cr.
An introduction to the basic methods of representational painting. This
course emphasizes the use of oil paint as a medium for rendering objects
and situations realistically. Required of Art Majors in the Painting Concentration.
Four scheduled studio hours plus five open studio hours per week.
ART 307 Preparation to Teach Art Pre-K-9 (Spring) 3 cr.
An exploration of the skills and techniques utilized to create and implement
art learning experiences. A field component is included requiring classroom
observation in local schools. Required of Art Majors in the Art Education
Concentration (Pre-K-9). Three lecture hours per week. Prerequisite: ART
300.
ART 308 Ceramics-Handbuilding 3 cr.
An introduction course designed to offer students the opportunity to investigate
handbuilt forms as they relate to function and non-function. While concentrating
on techniques of clay construction, the course stresses the use of clay
as an art medium, maintaining an emphasis on ceramics in a fine arts context.
Required of Art Majors in 3-D Studio Concentration. Four scheduled studio
hours plus five open studio hours per week.
ART 310 Illustration 3 cr.
An exploration of the various mediums and techniques the illustrator uses.
Specialized problems imposed by mechanical production requirements are
considered with emphasis on editorial, book and advertising illustration.
Four scheduled studio hours plus five open studio hours per week. Prerequisite:
ART 102.
ART 311 Lettering
and Calligraphy _(Not offered every year) 3 cr.
An exploration of the alphabet as a language system with its graphic implications.
Projects emphasize the visual relationships of formal and informal letterforms
as affected by rhythm, line, shape, and texture. The student is introduced
to the five basic alphabet styles and type recognition. Four scheduled
studio hours plus five open studio hours per week.
ART 314 Electronic
Publication Design 3 cr.
An exploration of publication design through computer application. A study
of the creative approaches to the design of brochures, newsletters, annual
reports, and pamphlets. Combines the elements of design and production
into a single process. Required of Art Majors in the Graphic and Web Design
Concentrations and Minors. Three lecture hours per week plus laboratory
work outside of class.
ART 315 Typography 3 cr.
A course providing students with an understanding of the art and technique
of selecting and arranging type styles, point sizes, line lengths, line
and character spacing and word spacing for typeset application. Students
will be introduced to the history of the alphabet from early Sumerian
pictographs, Phoenician symbols, and Egyptian hieroglyphics through the
20th century. The course will provide students with an understanding of
the development of typography from independent movable type to the electronic
media. Required of Art Majors in the Graphic Design and Web Design Concentrations.
Four scheduled studio hours plus five open studio hours per week.
ART 316 Printmaking - Monoprint (Fall) 3 cr.
An investigation of the monoprint process including overlay, multiple
plate, stencil, collage, sequence and folded imagery. Required of Art
Majors in the Printmaking Concentration. Four scheduled studio hours plus
five open studio hours per week.
ART 317 Printmaking – Screenprinting (Spring) 3 cr.
An introduction to the theory, techniques and processes of Screenprinting.
The medium is explored as a viable means of artistic self-expression.
Required of Art Majors in the Printmaking Concentration. Four scheduled
studio hours plus five open studio hours per week.
ART 318 Printmaking - Intaglio (Spring) 3 cr.
An investigation of the Intaglio process including drypoint, hard and
soft ground etching, aquatint, and color. Required of Art Majors in the
Printmaking Concentration. Four scheduled studio hours plus five open
studio hours per week.
ART 319 Printmaking - Lithography _(Spring, alternate years) 3 cr.
An introduction to metal plate lithography. Technical and aesthetic aspects
of the planographic process are explored in the context of self-expression.
Required of Art Majors in the Printmaking Concentration. Four scheduled
studio hours plus five open studio hours per week.
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320 Printmaking-Relief (Fall) 3 cr.
An investigation of the relief process including wood and linoleum block
printing, divided block printing, reduction and multiple block printing.
Required of Art Majors in the Printmaking Concentration. Four scheduled
studio hours plus five open studio hours per week.
ART 322A Metals 3 cr.
An opportunity for students to learn techniques in the design and construction
of handwrought pieces in sterling silver, copper and brass. 3- Dimensional
Studio Elective. Four scheduled studio hours plus five open studio hours
per week.
ART 326 Photography I 3 cr.
A fundamental course in photographic techniques. Emphasis is placed on
exposure, developing, printing and the aesthetic evaluation of photographic
materials. A 35mm camera with manual override is required. Required in
the Photography Minor. Four scheduled studio hours plus five open studio
hours per week.
ART 328 Watercolor Painting (Spring, alternate years) 3 cr.
An investigation of the traditional materials, methods and techniques
necessary in the development of watercolor painting. Required of Art Majors
in the Painting Concentration. Four scheduled studio hours plus five open
studio hours per week.
ART 329 Landscape Painting (Spring, alternate years) 3 cr.
An introduction to the basic methods of landscape painting. This course
emphasizes the use of oil paint as a medium of expression for the representation
of the natural environment. Required of Art Majors in the Painting Concentration.
Four scheduled studio hours plus five open studio hours per week.
ART 330 Mixed-Media Painting _(Fall, alternate years) 3 cr.
An exploration of various nontraditional approaches to image creation
including collage, assemblage, and shaped canvas. Required of Art Majors
in the Painting Concentration. Four scheduled studio hours plus five open
studio hours per week.
ART 332 19th and 20th Century Art (Fall) 3 cr. DI
A course tracing major developments in nineteenth and twentieth-century
arts in Europe and America. The works of individual artists are analyzed
in terms of personal evolution and as they relate to more general stylistic
tendencies. Works of art are discussed within their historical, social,
and cultural context. Required of Art Majors. Course requirements include
two museum visits at the students’ expense. Three lecture hours
per week.
ART 333 Far Eastern Art (Not offered every year) 3 cr. DI
An overview of the major stylistic developments and their relationships
to the basic religious and philosophical tenets of China, Japan, India
and Korea. Course requirements include two museum visits at students’
expense. Three lecture hours per week.
ART 334 African, Native American, and Oceanic Art _(Not offered every
year) 3 cr. DI
An overview of works of art by African, Native American and Oceanic peoples
studied in their social and cultural contexts. Major stylistic developments
are related to basic religious and philosophical tenets. Course requirements
include two visits to Boston area museums and the Peabody Essex Museum,
Salem. Museum visits at students’ expense. Three lecture hours per
week.
ART 335 The History of Photography_(Spring, alternate years) 3 cr. DI
An overview of the major stylistic and technical developments since the
invention of the medium. Photographs are analyzed within the context of
the art and culture of the 19th and 20th century. Course requirements
include two visits to Boston area museums. Museum visits at students’
expense. Three lecture hours per week.
ART 336 Women, Art and Ideology (Fall, alternate years) 3 cr. DI
An examination of the history of women artists and the images of women
in art. Class lectures and discussions are supported by slides. A visit
to a local museum or gallery is required. Museum visit at students’
expense. Three lecture hours per week.
ART 337 Non-Representational Painting_(Spring, alternate years) 3 cr.
An introduction to the basic methods of nonrepresentational painting.
This course emphasizes the use of oil paint as a medium for rendering
the fundamentals of visual experience through the formal elements without
descriptive subject matter. Required of Art Majors in the Painting Concentration.
Four scheduled studio hours plus five open studio hours per week.
ART 338 History of Graphic Design _(Not offered every year) 3 cr. DI
The course examines art as communication from ancient times to the present,
in the contexts of changing world-views, technologies and aesthetic preferences.
The fine arts are related to the history of graphic design. The focus
is on Western evolutions, with comparisons to Middle Eastern, Far Eastern
and African orientations. Substantial attention is given to the modern/contemporary
period. Three lecture hours per week.
ART 339 Preparation to Teach Art (5-12) _(Spring) 3 cr.
A study of the skills and techniques needed to teach middle and high school
visual art. A field component of 20 hours is included requiring classroom
observation and assistance in local schools. Required of Art Majors in
the Art Education Concentration (Grades 5-12). Three lecture hours per
week.
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340 Sculpture-Mixed Media_(Not offered every year) 3 cr.
An exploration of the fundamentals of modeling, carving, casting and assemblage.
Required of Art Majors in the 3-Dimensional Studio Concentration. Four
scheduled studio hours plus five open studio hours per week
ART 344 Photography II 3 cr.
A continuation and refinement of the material covered in Photography I.
Editing, sequencing and visual articulation are stressed. Portfolio preparation,
darkroom work, and critiques are required. Required of Art Majors in the
Photography Concentration and Minor. Four scheduled studio hours plus
five open studio hours per week. Prerequisite: ART 326.
ART 345 Commercial Photography _(Not offered every year) 3 cr.
An introduction to professional studio photography which includes making
photographs for advertising, catalogs, publicity and other commercial
applications. This course deals with studio setups and camera use for
still life and commercial “shoots”. Experience with studio
strobe lighting and darkroom printing and finishing techniques is provided.
Required of Art Majors in the Photography Concentration. Four scheduled
studio hours plus five open studio hours per week. Prerequisite: ART 344.
ART 346 Portrait Photography (Not offered every year) 3 cr.
A course exploring the various approaches to black and white and color
photography. Photographing the form with artificial, natural and flash
lighting to create atmosphere is explored. Required of Art Majors in the
Photography Concentration. Four scheduled studio hours plus five open
studio hours per week. Prerequisite: ART 344.
ART 351 Electronic Illustration 3 cr.
A course allowing students with an art and design interest to explore
sophisticated computer illustration applications. Operation of the Macintosh
graphics system with its appropriate commands is demonstrated. Elements
of graphic design including aesthetic consideration are reviewed. Issues
related to computer capabilities and limitations, usage, and societal
impact are discussed. This course may be used to satisfy computer literacy
requirements. Required of Art Majors in the Graphic and Web Design Concentrations
and the Web Design Minor. Three lecture hours per week plus laboratory
work outside of class.
ART 381 Video and Animation for Multimedia 3cr.
Covers the design, planning and production of video and animation for
computer-based interactive multimedia works. Required of Art Majors in
the Web Design Concentration. Three lecture hours per week plus laboratory
work outside of class. Prerequisite: ART 303 and ART 351, or permission
of Department Chairperson.
ART 384 Web Design 3 cr.
This course includes the design and development of a website, the development
of graphics, formatting of text, and creating hypertext links. It covers
planning, implementing, updating and maintaining a website, file formats
and software for Web design. Required of Art Majors in the Web Design
Concentration. Three lecture hours per week plus laboratory work outside
of class. Not open to students who have received credit for ART 383. Prerequisites:
ART 303 and ART 410 or permission of the Department Chairperson.
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401 Advanced Drawing 3 cr.
This second level drawing course provides both Art Majors and Non-Art
Majors the opportunity to explore, in-depth, the concepts relative to
landscape, figure, portraiture, abstraction, and sketching from the imagination.
Students will work in their choice of mediums to develop a series of at
least 5 drawings as a personal thematic study. Participation in field
trips and group critiques is required. Four scheduled studio hours plus
five open studio hours per week. Prerequisite: ART 102.
ART 402 Topics in Renaissance Art 3 cr. DI
An examination of the major ideas and issues in Renaissance Art. This
seminar course relates art to cultural, social, philosophical and personal
concerns of the artists. Course requirements include visits to Boston
area museums at students’ expense. Three lecture hours per week.
Prerequisites: ART 100A or ART 233.
ART 408 Ceramics - Wheelthrowing 3 cr.
An introductory course designed to offer students the opportunity to investigate
wheelthrown forms as they relate to function and non-function. While concentrating
on techniques necessary to forming shapes on the wheel, the course stresses
the use of the wheel as a tool, maintaining an emphasis on ceramics in
a fine arts context. Required of Art Majors in the 3-D Studio Concentration.
Four scheduled studio hours plus five open studio hours per week.
ART 410 Electronic Imaging 3 cr.
A study of the electronic methods of capturing, creating and manipulating
photographic images through computer applications. Examination of image
acquisition devices (scanners, video, still image [camera] capture systems)
and the creative application of these devices for the graphic/print media,
photographic media and computer presentation media. Required of Art Majors
in the Graphic and Web Design Concentrations. Three lecture hours per
week plus laboratory work outside of class.
ART 415 Graphic Design Theory and Application 3 cr.
A design studio in the principles and preparation of art work for printing
media. Required of Art Majors in the Graphic Design Concentration. Four
scheduled studio hours plus five open studio hours per week. Prerequisites:
ART 303 and ART 314.
ART 416 Graphic Design Portfolio (Spring) 3 cr.
A study of design as a tool for conveying meaning. This course entails
solving problems which include the study of letter forms as typographic
units, as well as the relationship of basic concepts of visual perception
to graphic design. Required of Art Majors in the Graphic Design Concentration.
Four scheduled studio hours plus five open studio hours per week. Prerequisite:
ART 415.
ART 420 Advanced Web Design 3 cr.
This course covers the fundamentals of web based animation and the techniques
for advanced imaging for the Web. It builds upon the basics of design
in the development and maintenance of high impact Web sites. It addresses
the social, ethical, and legal issues that arise from the effects of the
World Wide Web on society. Required of Art Majors in the Web Design Concentration.
Three lecture hours per week plus laboratory work outside of class. Prerequisite:
Art 384.
ART 430 Multimedia Design 3 cr.
An exploration of multimedia design for the World Wide Web. This includes
researching script writing, flow-charting and the creation of storyboards.
The integration of sound, video, still imagery, text, and animation are
covered. The necessary computer hardware and software, interface design,
navigation, and the determination of audience needs are covered. Required
of Art Majors in the Web Design Concentration. Three lecture hours per
week plus laboratory work outside of class. Prerequisite: ART 420.
ART 432 Topics in Contemporary Art (Spring) 3 cr. DI
An examination of the major trends in the visual arts and art criticism
from 1950 to the present. Media discussed include painting, sculpture,
photography, architecture, and new genres. Art works will be studied in
their cultural, social, and political contexts. Course requirements include
frequent visits to Boston area galleries and museums at students’
expense. Three lecture hours per week. Prerequisite: ART 332
ART 440 Sculpture (Not offered every year) 3 cr.
Subtractive approaches will be covered with an emphasis on the development
of a personal style. Required of Art Majors in the 3-D Studio Concentration.
Four scheduled studio hours plus five open studio hours per week.
ART 446 Color Photography_(Not offered every year) 3 cr.
An introduction to the technical and aesthetic aspects of color photography.
The theory of color, including color temperature and its affect on film
filtration, negatives and slides is studied. Required of Art Majors in
the Photography Concentration. Four scheduled studio hours plus five open
studio hours per week. Prerequisites: ART 345 and ART 346.
ART 447 Large Format Photography _(Not offered every year) 3 cr.
A course exploring basic technical and aesthetic application of the 4”x5”
view camera. Required of Art Majors in the Photography Concentration.
Four scheduled studio hours plus five open studio hours per week. Prerequisites:
ART 345 and ART 346.
ART 448 Advanced Commercial Photography_(Not offered every year) 3 cr.
An exploration of advanced techniques used in solving visual problems
in advertising and other areas of concern to the professional photographer.
Complex studio lighting, view camera techniques and color problems are
explored. Guest professionals are invited to discuss their work. Field
trips to commercial studios are included. Required of Art Majors in the
Photography Concentration. Four scheduled studio hours plus five open
studio hours per week. Prerequisites: ART 446 and ART 447.
ART 449 Digital Studio Photography_(Not offered every year) 3 cr.
A course that explores the digital aspects of the photographic medium,
both technical and aesthetic. This is a studio course involving the digital
acquisition and manipulation of images through the use of both camera
and computer. Four scheduled studio hours per week plus five open studio
hours per week. Prerequisite: ART 345 or permission of Department Chairperson
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500 Directed Studies 3 cr.
An opportunity for qualified Art Majors to pursue advanced independent
research or studio projects under the guidance of a faculty advisor. Prerequisites:
Proposed project outline following established guidelines must be submitted
and meet with the approval of the faculty advisor and the Department Chairperson
prior to registration.
ART 501 Internship in Art 3 cr.
A program designed to provide on-the-job training and work experience.
Students negotiate a commitment of time and services to an art-related
business, agency, museum, gallery or individual. Prerequisites: Senior
Art Major status and the approval of Department Chairperson.
ART 600H Honors in Art 3 cr.
An opportunity for qualified Senior Art Majors to pursue a one or two
semester research or studio project that exhibits substantial knowledge
and creative achievement outside of the normal pattern of courses. Students
must have the ability to work with a minimum of direction and supervision.
A proposal must be submitted and approved. Prerequisites: Senior Art Major
status with a minimum average of 3.5 in the Major, Art faculty invitation,
and the approval of the Department Chairperson prior to registration.
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338 Teaching Art as a Special Subject (Pre-K-9) _(Fall) 3 cr.
An exploration of curriculum development utilizing art learning experiences
previously formulated. Students examine and develop units of learning
directed toward one specific concept of art or art history. Open only
to and required of all Art Majors in the Art Education Concentration (Pre-K-9).
A field component is included requiring classroom observation in local
schools. Three lecture hours per week. Prerequisite: ART 307.
EDU 345 Teaching Art in the Middle and High Schools _(Fall) 3 cr.
An exploration of art curriculum development utilizing instructional and
assessment techniques from previous learning experiences. A field component
of 20 hours is included requiring classroom observation and assistance
in local schools. Required of Art Majors in the Art Education Concentration
(5-12). Three lecture hours per week. Prerequisite ART 339.
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